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What's Book Writing Like?
Lots of people ask me questions like how
I got started writing books, what's it like to do, how
does it work, do I make lots of money, and so on. So one
day, right after delivering a whole bunch of chapters, I
decided to write some of the answers down.
Why Do It?
I write books, and chapters in other
people's books, for lots of reasons. One reason is that I
get paid to do so, but if that was the only reason I
wouldn't be able to afford to do it. Some other reasons
are:
It's fun to create something out
of nothing, and hold it in your hand.
I feel proud of good sentences,
fantastic sample applications, and clear
explanations of difficult material. Writing well
gives me a real confidence boost and it's fun.
I get a little bit of fame, like
my name on book covers and in catalogues.
It helps me land other work when
I can give the prospect a copy of a book I wrote.
It has even happened that someone read my book
and contacted me to do some work with no sales
effort on my part.
I get beta copies of software
that I couldn't afford to buy, or couldn't
otherwise get into the beta program.
I can call software companies
asking pointed questions and they usually answer
because I'm working on a book.
It forces me to learn all the
gory details of a topic I knew well enough to do
my job, but not as well as I could. I see a
productivity jump after a book as I apply the
things I learned while writing it.
I get free copies of competitors
books, vaguely related books, and my own books,
and I use all of these regularly.
The Money
That's all well and good, you're saying,
but the kids have to eat, the phone bill has to be paid.
What does technical writing pay? Well, there are two ways
to get paid:
Flat rate, cash by the chapter.
Typically you will get $500 to $1000 for a
chapter, depending on how long it is (20-40
pages,) how good you are, and how desperate the
acquisitions editor is to get the work done. Your
cash will come out of the lead author's
royalties, and the AE cannot overpay you for fear
the lead will feel ripped off. So let's say
$25/page. (US dollars, by the way.)
Royalties, which is more
complicated. Here's some sample numbers, though.
Say the book is $50 US. Usually publishers do
royalties on the net prices, which for my
publisher is 45% of the cover price. So a 1%
royalty is worth 22.5 cents per copy. A handy
worst-case number for copies sold is 10,000.
We've all done books that sold worse, but usually
a publisher won't go with a book unless they are
confident of 10-15,000 copies. The royalties
available are 10-15%, depending on how many they
think they will sell (there are fixed costs to
cover and if they sell a lot the fixed costs per
book are lower so there's room for more royalty,)
how much they think they have to give you to get
you to do it, and stuff you have no control over
like how well other books have done this quarter
and so on. Now you won't get all of that,
certainly not on your first book. To meet the
kind of schedules that are common these days
there are usually other authors involved. Whether
you pay them cash or share your royalties,
probably you will do half the work and get half
the money. So assume a 5% royalty on a $50 book
(45% net) selling 10,000 copies. That's $11,250.
You will probably write 400-500 pages for that,
getting $22-$28/page. If the book bombs, you
might see half that, or nothing if there was a
lot of cash work. If the book soars? You multiply
$1.12 per book by however many copies might sell.
That's what puts stars in author's eyes.
So, how long does a page take? Obviously
that varies from book to book and author to author, but
as a good rule of thumb, an hour per page will do. Some
days you might do 30 pages, other days 3. A screen shot
takes up half a page: it might take you a minute to
decide "I need a shot of the XYZ dialog" and
less than a minute to load the product and shoot the
shot, or it might take you half a day to write the
program that produces the output you want a shot of. If
you have to write a sample application for your chapter,
you need to allow programming time. On long projects I
set myself a pace and actually count pages each day to
see if I'm meeting it. When I'm lead author and I'm
working out what I'd like to earn for the book, I toss in
100 hours for developing the outline, looking over other
people's work, reacting to last minute announcements,
talking to my editor, and writing extra chapters I hadn't
counted on.
Can You Live On That?
Sound enticing? If you have a day job,
$25/hour work that is fun to do, keeps you learning, and
gets you beta software and glory, really sounds terrific.
And it is. But you can't keep the pace of an entire book
(not for book after book, anyway) if you have a day job.
You'll get lots of chapter work, and probably one chance
at a lead. As a lead author, you'll have to find at least
4 hours a day to meet the kind of schedules they want,
which is fine if you're single, or have a very
understanding spouse and no young children, or an
incredibly understanding spouse if you're a parent. I'm
warning you now: there's a limit to how understanding
your spouse can be, and taking on a three-month book
project when you already have a full-time job is going to
push that limit. Eventually you're going to either settle
down to a chapter or two once in a while, or you're going
to leave that job in the hope that writing will support
you. Make sure you have something else that will at least
help to support you: that understanding spouse again, or
a trust fund, or the ability to train or contract program
on the side. There are two reasons why $25/hour for
writing won't support you, even if that's about what
you're making now:
You have to buy benefits and save
for retirement
You don't get 40 hours/week of
work
Number 2 is the real killer here. No
matter how fast you write, how hard you push yourself,
eventually you have to sit and wait. You submit your
chapters as you finish them, then wait to get the edited
work back. You tell your AE you'd like a chapter or two
of cash work, then wait two or three days while the AE
talks to the lead or some other behind-the-scenes
negotiation goes on, then you get the work, you race
through it and again you have to wait for edited material
to come back. You have to leave empty slots in your
schedule to deal with the review when that material does
come to you, as well. You are asked to write an outline
for a book, then wait a week while ten different people
look it over before deciding whether or not to do the
book. No matter how hard you try, you cannot fill all
your time with book work.
Depending on the lifestyle to which
you're accustomed, what other sources of income your
family has, and whether that understanding spouse of
yours also has full benefits, you can figure out what you
need per hour if you got 40 hours per week. Then double
it. That's what you need to earn from books and the other
bits and pieces of consulting and so on you will do. If
one of your books sells 50,000 copies, you can drop some
of the other sources of income then.
How Long Does it Take?
Here's the life cycle of a typical book,
from the point of view of a lead author.
Really, this is typical. Things never
go as planned. Experienced authors might escape some
of these traps, but last minute changes in software
you are writing about, problems with the folks who
are doing individual chapters, and forgetting to
allow time for "extras" are perennial
problems. These things don't happen because
publishers and editors are cold-hearted fiends: they
happen because publishers, editors, co-authors and
software developers are all human beings, working to
deadline, making mistakes, and forgetting things.
Editors sometimes assume you know more than you do
about what else has to be done: authors usually don't
ask enough questions and don't read their Author
Kits. Even the most experienced authors get let down
by co-authors or surprised by major revisions in the
product.
I chose an arbitrary start date so you
can see how the time goes by, and I assumed you wrote at
the one hour per page rate, plus some time for Author
Review.
| Jan 1st |
You call your editor and say you
want some more work, or your editor calls you and
offers you work. Whatever outlines and embryonic
ideas are floating around in your editor's head
are sent to you. |
| Jan 8th |
You and your editor have decided
that you will do a specific title. You start the
outline and you and your editor get to work on
finding people to do the chapters you don't want
to do. |
| Jan 15th |
The outline has been kicked
around at the publisher, some of the other
authors you know will be joining you have had
their say, and it's time to start writing. You
negotiate a 10% royalty with a $5000 advance and
$10,000 of cash work for the other authors.
You'll be doing 16 chapters, delivering 4
chapters every 3 weeks. This is why it's called a
"3 month" book, but since two weeks of
our schedule have gone by already, it's more like
a 3.5 month book, right? So far you've spent
about 20 hours preparing an outline, revising it,
talking to your editor, and talking to the rest
of your team. |
| Feb 5th |
You deliver the first 4 chapters
and your editor authorizes the first advance
payment. |
| Feb 12th |
A cheque for $1000 arrives. You
spent 40 hours on each chapter so you're up to
180 hours for that $1000: about $5.55 an hour.
But hey, it's just the advance. |
| Feb 26th |
You deliver 4 more chapters and
are at the 50% point. |
| March 4th |
Another cheque for $1000 arrives.
You're up to 340 hours, about $5.88 per hour. |
| March 18th |
You deliver 4 more chapters. One of the other
authors is way behind and you agree to take on a
chapter, reducing the cash by $500. You finally
get a copy of the version of the software you're
writing about. |
| March 25th |
Another $1000 cheque. (500 hours, $6/hour
now.) You realize you are going to have to expand
one of your chapters and add an entire new
chapter to cover new features of the software.
Also, the screen shots (10 or 15 per chapter in
12 chapters) will all have to be reshot. You
decide to leave that for Author Review, but mail
the other authors alerting them to the problem. |
| April 8th |
You deliver 4 more chapters but still owe the
new chapter. |
| April 15th |
You deliver the last chapter. Your editor
asks you for the introduction, a bio,
acknowledgments, dedication, and a list of terms
to be covered in the index. |
| April 16th |
Your editor sends you the cover copy and asks
you to approve it. Parts of it are wrong. You
learn that the CD included with the book will
include a full list of stuff you don't have. Your
editor says you can get some from the previous
version of the book, but the rest you'll have to
go find on the net. |
| April 19th |
You deliver the introduction. Your editor
asks for a "what's new in this version"
page and a quick Reference Card. |
| April 26th |
You deliver the bits and pieces. Your fourth
$1000 cheque arrives. The 4 chapters are 160
hours, the new chapter another 40 to bring you to
700 hours, and the introduction, bio,
acknowledgments, dedication, index terms, looking
over the cover copy, "What's new" and
Quick Reference took another 70, so you're up to
770 hours or $5.20/hour. |
| April 29th |
Your Author Review arrives: 6 chapters to be
revised. You need to reshoot 60 screen shots, add
five pages to two of the chapters, and chase down
the latest version of a utility you used in
Chapter 4.They want the material back by May 2nd.
You stop working on the CD. |
| May 3rd |
You deliver your Author Review first thing in
the morning, then collapse into bed all day. You
spent 70 hours on it in just 4 days. |
| May 6th |
Your next batch of Author Review arrives,
about the same work as the first batch. You stop
working on the CD again. |
| May 9th |
You deliver your AR. You had to pull an
all-nighter because one of the chapters had major
flaws. (50 hours this time, the running total is
890.) Your editor calls to say that one of the
authors simply cannot get a chapter into shape,
and could you do the AR on it? |
| May 13th |
You deliver the other author's AR. (10
hours.) Your last batch of AR, for the extra
chapters you took on and added, plus the
Introduction, arrives. |
| May 16th |
You deliver the last of the AR. (30 hours,
there weren't so many screen shots in these.)
Back to work on the CD, and the Appendix
describing what's on the CD. |
| May 23rd |
Your final $1000 cheque arrives. You deliver
everything for the CD and heave a huge sigh of
relief. The CD got about 40 hours of your time so
the running total is up to 970, for $5000 that
gives $5.15 an hour. |
| June 24th |
Your editor tells you the book has gone to
the warehouse. |
| July 1st |
The courier brings a box -- ten copies of the
book. You hold it in your hands, look at your
name on the cover, read the stuff you wrote. Way
cool! |
| November 1st |
Your first royalty statement arrives. In
three months you've sold 8,000 copies, but 2,000
of those were in the long strange list of
categories in your contract for which you only
get half royalty. Your royalty is $15,750. Twenty
percent is reserved for returns, for a net
royalty of $12,600. This takes care of the $9500
of cash work, and all but $1900 of your advance.
There's no cheque for you, of course. |
| December 1st |
Your book is doing well. 2000 copies last
month, so you've got 10,000 already. 400 were at
half rate so the royalty is $4050. After the
return reserve it's $3240, and paying back the
last $1900 of the advance leaves you with an
actual cheque for $1340. Just in time for holiday
shopping! (Your hourly rate so far: $6340/970 =
$6.53.) |
| January 1st |
Another 1000 copies, and $1620 in royalties.
Hourly rate: $8.20. This keeps up for 6 months
more, and in the end your "3 month
book" took six months, paid you essentially
nothing until about a year after you did the
work, and paid, in the end, about $15/hour. You
tell yourself you did way too much last minute
freebie work, and next time you'll negotiate a
better rate to compensate for that. Also you
swear that from now on you'll write faster, and
it's true, you will. That will save you from
having to pay for cash work, and avoid last
minute crunches when your cash work folks let you
down. Besides, your editor just told you about
this other book of theirs that sold 70,000
copies! If your book had sold that much you'd
have made $70/hour, even at your slow writing
speed and with the extra work. You've already
signed up for your second book, of course...
you're hooked! |
Wanna Know More?
Why does anyone do it? Because some books go faster
than that, or sell more copies. Because there's more to
this than money (see the list at the top of this page.)
Because you always believe that this book will be
different, and sometimes it is. There are some great
resources available for those who want to be technical
writers. Someday soon I'll add them, but for now, I've
got some chapters to finish...
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